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We’ll use the T-RackS suite plugin to house all of our processing and control the routing.'I don't want no mistering. That’s why we wanted to take a look at this rarely discussed platform and establish a signal chain that sounds great. It provides a lot of flexibility while still keeping things simple. T-RackS is an often overlooked and underappreciated software.
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31 plug-ins for a bit less than $400 USD. Upload, preview and Download Mastering Made Easy.When I heard that IK Multimedia was offering the T-RackS All in All bundle for a limited time, I couldn’t resist. Master your Music or audio tracks online, instantly. From the start, the product’s mission was to impart the sweet, warm characteristics of analog audio components to the often bitter cold of digital recordings.Professional Audio Mastering.
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All these plug-ins can also be bought through the IK Multimedia T-RackS custom shop. Hangaring hangars hangdog hangdogs hanged hanger hangers hangfire hanging.During the regular sale you can choose between three basic bundles of T-RackS along with three additional bundles containing mastering plug-ins that are not essential, but they can make a significant difference, putting mastered material on a whole new and very professional level. Aimfully aiming aimless aimlessly aimlessness aims aint Ainu ainus aioli. Features: Free version of T-RackS including the Custom Shop, the Classic EQ and basic Metering functionality. And the best part is, you can get started for free. This has been the second offer for T-RackS in the last few months (actually,in a last minute we got an info about new T-RackS promotion – Save over 60 % with the T-RacksS Grand Slam).In the T-RackS 5 Custom Shop you can browse a huge collection of IK's high-quality processing plug-ins for mixing and mastering and purchase only the ones you want, when you want them.
You don’t need to be a compressor guru to achieve great results with Black 76, White 2A or even Model 670. Two to three knobs – what could go wrong there? Actually nothing. All the plug-ins are very simple to use (I only had problems with the limiter, but that was more to do with my lack of experience than anything to do with the plug-in itself), and as long you don’t try to go extreme with the settings, the plug-ins will easily forgive you your lack of deeper knowledge and experience.The next bundle is T-RackS Vintage Compressors, offering you some user-friendly software recreations of well-known gems from a past. At every moment you get precise information on which frequencies are affected and by how much. Along with the sound, one of the main benefits is the real time frequency preview.
First of all, I’m not a mastering expert, so this review is something of an idiot’s guide. The reason is quite simple. I’ve been a bit unfaithful to T-RackS these last two years, but after getting this All in All bundle and spending the first two weeks with it, I decided to switch back. Obviously I was not the only one, as IK Multimedia added all sorts of additional plug-ins over the following years, culminating in all the bundles and plug-ins that we’ve just described. The same goes for Bus Compressor – I started with a preset but then improved on it based on advice that I got from a YouTube video.Years ago I reviewed T-RackS and complained that it didn’t offer some of the options that its competitors had. The first two are a combination of compressor, equalizer and limiter, giving great results by simply tweaking a few of those knobs and fine-tuning some of the included presets.
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It happens that with some basic knowledge I achieved a much more defined, cleaner master that just emphasizes my basic mix without changing the relationship between the instruments. At this point I’m just trying to find and present you with mastering tools that could give you a better results if you have some knowledge of mixing and remember a tip or two about mastering (the green area where most of us are). So my opinion about which plug-in, or even which bundle, is best-suited for this purpose is not an opinion of a mastering guru. (A good source for using T-RackS in rock music is an article I found on this blog).I’m aware that a skilled mastering engineer can make a great master with nothing more than a knife and fork. After some trial and error I made a bit more of an EDM oriented preset that would serve most of my needs, being a little more than just a good starting point.If you don’t have all these plug-ins, you can still download the 14-day trial versions.
I made that mysterious 10 KHz cut because I notice that hi-hats or shakers can be a bit annoying in that area.If you find that your high end is too aggressive, just decrease the sixth band a decibel or two. Then I cut out some of the lowest end, add a small hole around 10 KHz and slightly boost the mid bass and high end of the frequency spectrum. I more or less use the well-known, so called “smile curve,” suggested on many forums about mastering. So, the story will continue.As this preset is made to suit my mixing habits, maybe we could go through some settings explaining why I used a plug-in and how you can adopt it to your needs.In the first slot of the rack I placed a Linear Phase EQ. As well as providing further explanations, he will comment on my preset and let us know exactly where I missed and where I nailed it. The end results sound really professional, beyond my initial hopes and expectations.So here is my preset that works as a starting point for EDM Dance and some rock production purposes.You can also listen to my “before and after” results for a Trop House song I made recently.In the next issue we will have an interview with IK Multimedia mastering project manager, Lorenzo Gerace.
The only thing you should watch for is the “input – output”indicators in the bottom right corner, as you can ruin your sound if everything goes too much into the red. Same for the high end – decrease the red gain knob in the top right. I’d say that if your low end is too aggressive don’t try to fix that with Linear Phase EQ, just turn down the black gain knob on the lefthand side of White Channel. I usually use this combination on other mastering equalizer plug-ins, but find it works just fine even in a normal “Left/Right” jointed combination.The next plug-in I used was White Channel, which I used to tame the bass. It also has a Mono/Stereo option, so if you want to go a bit deeper, you can even make some low end cuts in the stereo image and boost the high end in a center.
It puts your low and high end on steroids without making them artificial. I never worked with the original hardware so I can’t tell you the difference, but compared to my other plug-ins this one makes a significant difference. Black Channel from IK Multimedia is very similar, just with a little more old-fashioned sound coloration. If clear and well-defined punchy sound is analog sound, then this one definitely sounds analog.
I don’t know how it did it, and I don’t even care. I tried it, switching it off and on, and it ended up staying in my rack. On the IK Multimedia website they suggest we try it out, and see how it changes the sound even without additional tweaking.
At these settings I just tamed some loudness deviations. The professionals are always warning us how easy it is to ruin everything with a multi-band compressor. I set attack and release time according to advice on the internet, being careful not to overdo the compression, as if you are not too familiar with multi-band compressors it’s better to leave it as it is. I complained in a previous review that I missed such tool in the T-RackS assortment, and year or two ago it arrived in all its beauty. So these IK equalizers are definitely worth every penny, not just as part of a bundle but even at full price.Next in the rack is Quad Compressor. I tried this setup with strings and guitars and I definitely couldn’t recreate similar results with any other regular equalizer I have.
Secondly, every equalizer in this collection has its own character. It could be that I’m overdoing it, putting so many equalizers in a rack, but it’s always better to use a few equalizers or even compressors in a row, setting each one to affect just a few decibels, than setting extreme gain on a single one. Enough is simply not enough.Master EQ 432. Maybe I overdo it a bit, but we live in a such times. It has a more centered low end along with a wider high end – a very simple trick that can make your master shine.
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